GOODFELLAS Copacabana Tracking Shot

The famous tracking shot from GoodFellas may seem like a cliche choice to start off with but I wanted to pick something that would be well known and easy for readers to get right into/appreciate. This classic sequence (set to the song “Then He Kissed Me” by The Crystals) takes place when Henry Hill (Ray Liotta) brings his new girlfriend Karen (Lorraine Bracco) on a big date to the Copa which was a NYC nightclub where all the wiseguys would go see popular acts of the day like Bobby Vinton, Frank Sinatra, Tony Bennett etc. A young Martin Scorsese went to the club for his school graduation, so he knew it well. The shot is captivating as it feels like Henry is leading Karen not only into the club but down into the depths of his criminal world simultaneously. It also takes place at the height of his powers as a gangster in the early 60s. All the doors are open to his crew and everyone knows and fears him. The non-stop movement as Henry and Karen glide through the back passages and through the club’s kitchen also conveys the sense his life is flowing like a powerful river and nothing can stop him.

This is just one reason why I love watching Martin Scorsese’s movies because I always come up with different ideas of what the scenes might mean through the things that are shown but not stated outright.

Apparently this simple looking but incredibly timed shot took several tries to get right (about 8 times) and was only done because they couldn’t get permission to shoot coming in the front entrance. That silly restriction led to one of the most exciting single take shots in film history.

mm

Peter

Editor-In-Chief of The Grindhouse Cinema Database/Furious Cinema contributor. Pete is a rabid movie geek who enjoys everything from wild n' crazy exploitation/cult flix to big budget mainstream classics. His other interests include: graphic design, cartooning and music.

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2 Responses

  1. Graeme says:

    One of the interesting things about this scene which no one seems to spot is they walk into and out of the kitchen through the same doorway. To make the viewer think its a different door they move a stack of crates – it’s in front of them when they enter, and while they traverse the kitchen it’s moved into the entrance so it’s on their left when they leave the kitchen. Check out the fire hose – you see the same one on their way in and out of the kitchen. Basically they take a trip around the kitchen for no reason whatsoever…

  2. justine says:

    no, that is not one of the interesting things about this scene.

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