What do you do if you’re a priest, bound by the covenant of the church not to divulge confessions—even to authorities—and someone you know confesses that they’ve just committed a murder? Alfred Hitchcock’s off-the-beaten-path I Confess (1952) illustrates the dilemma engagingly. Based on Paul Anthelme’s French play “Nos deux consciences,” […]
Brian Ahern
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